| title | name | surname | position | Institution | INTERESTS |
| Dr | Evelyn | Abberton | Laryngograph Ltd | Imaging, visual feedback for speakers and singers, auditory relevant parameters, e.g. pitch, loudness, larynx behaviour | |
| Dr | Martin | Ashley | UWE Faculty of Education | choirboys as endangered species, boys' singing not encouraged, boys sing because teachers are charismatic and gifted, boys can be captured by technology | |
| Dr | Chris | Barlow | dept of communication engineering southampton inst - child voice, choral vocal recording use of tech in music ed generally | ||
| Ms | Jude | Brereton | Netvotech co-ordinator | University of York | Masters project used inverse filtering to analyse male singing voice, worked on VOXed research project |
| Ms | Janice | Chapman | singing teacher, singer | how voice works, really good feedback to hasten process for students | |
| Dr | Philip | Fine | psychology lecturer, singer | technology-free-zone, sight-singing research | |
| Mr | Jeremy | Fisher | Vocal coach and singer | Vocal Process Ltd | feedback tools, intuitive teaching tool - how to use in teaching |
| Mrs | Jane | Ford | Singing teacher, research student | University of Durham | humming exercises of Earnest White, part of theory, using voice safely and prolonged use |
| Prof | Adrian | Fourcin | UCL, Dept of phonetics and linguistics | speech and voice perception, production, vocal fold imaging, voice analysis | |
| Mrs | Sara | Harris | Speech and Language Therapist | ||
| Tom | Harris | ENT surgeon | voice clinic, technology freak - keen to know how to encourage performers to comprehend what happening in performance | ||
| Mr | Evangelos | Himonides | Institute of Education | meaningful virtual learning environments, voice production, recording engineer, human-computer interaction, combine all of above? | |
| Prof. | David | Howard | Electronics Dept | singer, choral director, engineer, aspects of technology | |
| Filipa | La | singer, biology degree, research student, improve performance of self and others, | |||
| Jacob | Lieberman | osteopath | physical manipulation, study outcome, and application of technology | ||
| Miss | Penelope | Mackay | singing teacher | Guildhall School of Music and Drama | technology in teaching studio, audio visual, voice printing, how useful? |
| Lesley | Mathieson FRCSLT | Visiting Lecturer in Voice Pathology, Speech and language therapist | Institute of Laryngology and Otology, UCL, hon research advisor, Royal National ENT hospital, | means to look at laryngeal manual therapy, treatment of performers with voice disorders | |
| Helen | ?? | research student | IoE | voice disorders | |
| Mr | Francis | Newton | retired music technology technician | also professional actor, voice training for professional voice users | |
| Dr | John | Potter | Lecturer and singer/singing teacher | Music Dept | most of above |
| Tiija | Rinta | Institute of Education | children's voices and disorder | ||
| Dr | Karen | Sell | musician, teacher, writer , singer | how to teach in a safe way - multidisciplinary approach - writing article on boy trebles | |
| Dr | Desmond | Sergeant | musician and researcher | founding editor of "Psychology of Music", choirboys and choirgirls | |
| Ms | Frith | Trezevant | Head of Singing | Bristol Academy of Performing Arts | teacher singing, tech enhance studio work quicker more efficient - visual feedback… esp boys |
| Prof | Graham | Welch | Prof of music education | Institute of Education | voice development, work with primary school teachers, discover how voice works, changes and develops, technology offers possibilities for extending (and both hinder and foster) understanding |
| Ms | Jenevora | Williams | singing teacher and research student | Institute of Education | boys choristers, acoustic analysis to measure recordings, use of technology in studio as tool, |